“When you get there, you’ll already be there.”

This past Sunday was an important day… the return of Twin Peaks after 26 years off the air. For those of us who were watching back in 1991, when the second season ended with that horrifying cliffhanger, this has been a very long time coming. (I actually still have the notebook in which I jotted down my reactions to that final episode in real time, a sort of 1990s version of live-blogging except there was no audience to read it.)

Last night I caught up with the third episode of TP: The Return, which reminded me of why I got into David Lynch’s work in the first place. The new season is a truly Lynchian experience, closer in style to Eraserhead and Lost Highway than the original TV series. Frightening, graphic, disturbing, and fascinating all at once. These new episodes should come with an additional warning label telling people to go watch a whole lot of Lynch movies first, so they know what they’re getting into.

The following points are a few reactions and thoughts on where we are now, as of Episode 3.

  • This episode is where things start to get weird. For a show like TP, that’s really saying something. Agent Cooper has fallen out of the sky into an apartment by a purple sea, where an eyeless woman sits on a sofa. Someone is banging on the door, and whoever it is sounds most displeased. The blind woman leads Cooper up through a ladder, and they emerge on top of a metal box floating in outer space. The woman flips a switch (ELECTRICITY!) and gets sucked away into the void. I have no idea why this is happening, but it’s so very Eraserhead. And is that the giant, disembodied head of Garland Briggs floating by? Rest in peace, Don S. Davis. I’m glad we got to see your head one last time.
  • Now we know why “2:53” is such an important time. This is when Cooper is drawn back into the physical world, at the same moment when something very strange happens to Evil Cooper as he drives down the highway. Evil Cooper then vomits out a whole lot of something nasty (Garmonbozia?) after crashing his car. Yuck.
  • I find it a little unnerving that I’m able to watch the violent scenes with no trouble, such as Darya’s unfortunate final scene in episode 2, but I have to look away during the vomit scenes.
  • And now we have a THIRD Cooper in the mix. This one is a chubby lookalike who goes by the name Dougie and wears the Owl Ring. Is it a coincidence that he has the same first name as Dougie Milford from the original series? Of course not, there are no coincidences in the Lynchverse. And the hooker’s name is… Jade. Oh my goodness, we get to see a whole lot of Jade in this episode.
  • And there’s more vomit. Is this really necessary?
  • So apparently Cooper (the REAL Cooper) has left some part of his mind behind during his long trip to Las Vegas. He reminds me of Leo Johnson when Leo was in his “New Shoes” vegetative state. My favorite part of this whole episode is when Jade checks Cooper’s pockets and finds his key from the Great Northern.
  • What ever happened to Leo, anyway? Last we saw him, he was in a rather dire predicament involving a box of tarantulas, thanks to Windom Earle. Since Eric Da Re is not appearing in this new series, I’m assuming the spiders got him.
  • In this episode we get to see more of Hawk, Andy, and Lucy as they attempt to figure out what is missing with regard to Cooper’s disappearance. This is like a little taste of the old series, a visit with old friends.
  • We find ourselves back in Philadelphia, the home office of Gordon Cole and Albert Rosenfield. (Miguel Ferrer, yet another wonderful actor who left us too soon.) For me, the most important thing about this scene in the FBI field office is that we finally get to meet Tamara Preston, who was mentioned prominently in Mark Frost’s Secret History of Twin Peaks last year. We finally get to meet her, but don’t find out anything at all about her personality. She only gets about one line of dialogue so far. After reading the Secret History, I had wondered if Tammy would turn out to be a major character in this new series (maybe even the main character, a new agent to take on role of “newcomer/investigator” that Dale Cooper played in the original). Hopefully she has more to do in future episodes.
  • Finally we return to Dr. Jacoby, who is painting shovels. He paints shovels for a very long time and does a decent job, although I’m concerned that he may not get good coverage on the sides.
  • We close with some music by a couple of Millenial Everly Brothers, and we do not see any more of James or Shelly or Balthazar Getty. This makes me sad.
  • One last impression: I am finding this new series to be much more straightforward and easy to follow than many of Lynch’s later work. After watching Inland Empire and Mulholland Drive, both of which will tie your brain in knots as you try to figure out what’s real and what exists only inside people’s heads, this series is mostly linear in terms of time (other than a quick skip backward in time when Cooper arrives in the glass box) and the logical flow of events. Of course there are still 15 more episodes to go, and Lynch movies don’t usually go all topsy-turvy until about halfway through…

 

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